Quand
8 – 19 October
Tuesday 8 – Saturday 12: 10.30am and 1.30am
Tuesday 15 – Saturday 19: 10.30am and 1.30am
In Land of the Lost audiences of very young children to explore an odd, curious and beautiful world of lost things. If you are lost, how can you find your way?
Land of The Lost wants young audiences to experience a deeply interesting and attractive landscape, made for them and with them. This work involves: co-creation of stories, improvising with very young children, drawing children into theatrical ritual and heightened experience, design and landscape, atmosphere and sensory communication.
Join this wonderful exploration of form, story, meaning and intention – especially if participation is part of the work. Very young audiences are deserving of the highest quality works that can meet their curious minds.
Land of The Lost wants the little ones to feel that they are part of the stories and that they are bringing the Land of the Lost to life.
8 – 19 October
Tuesday 8 – Saturday 12: 10.30am et 1.30am
Tuesday 15 – Saturday 19: 10.30am et 1.30am
Oratoire
S'inscrire
A propos de
Sue Giles
Theatre Maker et Directeur Sue has a life time career in the theatre arts in Australia, much of this with the creation and production of works for young audiences. After working in communities, schools and theatres across the nation and internationally, from the year 2000 she was Artistic Director et Co-CEO of the now acclaimed children’s theatre company Polyglot Theatre, introducing participatory, immersive works and the interrogation of play in the company’s theatrical offerings for children.
Sue is an advocate for Theatre for Young Audiences in Australia as a board member and Interim Chair of Theatre Network Australia – the National Centre of ASSITEJ International – and internationally as President of ASSITEJ International – the global association of theatre and performing arts for young audiences.
Hannah Vrijenhoek
Graduated as an Artist Educator in Theatre at ArtEZ University of the Arts (Arnhem, The Netherlands) in August 2021. During her study she specialised in process-focussed and interdisciplinary work with young children. Hannah has since been working as a theatre-maker and educator for leading theatre companies and festivals in The Netherlands, such as The National Theatre in The Hague, Jonge Harten Festival and Theater Na de Dam in Amsterdam.
Since moving to Australia Hannah has been strengthening the ecological focus in her work, by connecting to country, through practices of Deep Ecology and learning from Permaculture and Biodynamic principles. Based in Naarm/Melbourne she is exploring the theme of belonging socially and environmentally through a post-colonial ecofeminist lens.
Accessibilité
Oratoire est accessible aux personnes en fauteuil roulant. L'accès à la salle se fait sans marches. Les personnes en fauteuil roulant entrent par l'entrée principale. Le terrain est parsemé de sentiers inégaux.
Deux places de stationnement accessibles pendant deux heures sont situées dans la rue St Heliers, à côté de la porte principale. Six places de stationnement accessibles sont situées à l'avant du parking, du côté nord de la rue St Heliers. Un autre parking se trouve à proximité de la porte principale. L'entrée se trouve à proximité d'une voie piétonne réservée et d'un passage pour piétons.
Il y a des toilettes accessibles dans ce lieu, mais les portes des toilettes ne sont pas toutes automatiques.
This project is supported by the Victorian Government through Creative Victoria and City of Yarra for Melbourne Fringe 2024.