Wominjeka! Hello!
At the Convent we welcome visitors from across the globe – both in-person and digitally. Please note, we use AI to bridge the language gap, so there may be some translation inconsistencies and missed linguistic nuances.
8 – 19 October
Tuesday 8 – Saturday 12: 10.30am and 1.30am
Tuesday 15 – Saturday 19: 10.30am and 1.30am
Oratory
$5 registration fee
Land of The Lost wants young audiences to experience a deeply interesting and attractive landscape, made for them and with them. This work involves: co-creation of stories, improvising with very young children, drawing children into theatrical ritual and heightened experience, design and landscape, atmosphere and sensory communication.
Join this wonderful exploration of form, story, meaning and intention – especially if participation is part of the work. Very young audiences are deserving of the highest quality works that can meet their curious minds.
Land of The Lost wants the little ones to feel that they are part of the stories and that they are bringing the Land of the Lost to life.
8 – 19 October
Tuesday 8 – Saturday 12: 10.30am and 1.30am
Tuesday 15 – Saturday 19: 10.30am and 1.30am
Oratory
Sue Giles
Theatre Maker and Director Sue has a life time career in the theatre arts in Australia, much of this with the creation and production of works for young audiences. After working in communities, schools and theatres across the nation and internationally, from the year 2000 she was Artistic Director and Co-CEO of the now acclaimed children’s theatre company Polyglot Theatre, introducing participatory, immersive works and the interrogation of play in the company’s theatrical offerings for children.
Sue is an advocate for Theatre for Young Audiences in Australia as a board member and Interim Chair of Theatre Network Australia – the National Centre of ASSITEJ International – and internationally as President of ASSITEJ International – the global association of theatre and performing arts for young audiences.
Hannah Vrijenhoek
Graduated as an Artist Educator in Theatre at ArtEZ University of the Arts (Arnhem, The Netherlands) in August 2021. During her study she specialised in process-focussed and interdisciplinary work with young children. Hannah has since been working as a theatre-maker and educator for leading theatre companies and festivals in The Netherlands, such as The National Theatre in The Hague, Jonge Harten Festival and Theater Na de Dam in Amsterdam.
Since moving to Australia Hannah has been strengthening the ecological focus in her work, by connecting to country, through practices of Deep Ecology and learning from Permaculture and Biodynamic principles. Based in Naarm/Melbourne she is exploring the theme of belonging socially and environmentally through a post-colonial ecofeminist lens.
Oratory is wheelchair accessible. There is step-free access to the venue. Wheelchair users enter at the main entrance. There are uneven footpaths throughout the grounds.
There are 2 two-hour accessible on-street parking spaces located on St Heliers Street, beside Main Gate. There are six accessible parking places are located at the front of the car park on the northern side of St Heliers Street. There is also a car park located within a short distance of Main Gate. The entrance is near a dedicated pedestrian thoroughfare and road cross over.
There are accessible toilets at this venue, though not all toilet doors are automatic.